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In his Letters on Cézanne,
Rainer-Maria Rilke wrote: "When one paints, one can, all of a sudden,
come upon something so unfathomable that no-one will ever get through
it."
Hans Bouman has trodden that path, a path from which the "unfathomable
thing" has obsessively imposed itself it is the human face,
which both mirrors the other and is almost a mental self-portrait, a
microcosm that symbolises the mind as opposed to the body, which is
linked to matter. The head, which remains solitary, offers a face-to-face
encounter; it questions us as we question it, and the answer may spring
from the silent exchange loaded with mystery. |
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Bodies float in space, wandering in a
world with no landmarks. Bodies trying to escape from the limits of the
canvas. A quest made in the silence of the abysses where body and soul
meet. |
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Hans Bouman
goes back to painting, and acknowledges his bond to Expressionism. The
representation of the human body remains the core of his work. |
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Still intrigued by the
use of various materials to construct pictures, the opportunities offered
by the computer lead him to a new form of expression, overlapping layers
of digital print and painting. Thus, materials coalesce in works that
explore the link between the infinitely small and their blown-up representation. |
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Hans Bouman
turns to more fluid works, in which haphazardly arranged elements replace
the dense and muffled matter. From paper that is crumpled, torn and
stuck, shapes are surging, which may be references to his own pantheon
of gods and goddesses. |
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He has made himself known
thanks to his rigorous work on an almost single theme the human
face. These dark, sometimes stern images, painstakingly built from all
kinds of materials, are not only pleasing to the eye, but raise for
the one who beholds them the very questions that totems and other sacred
figures have asked of worried men.
Alin Avila
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His sculptures echo his
paintings. They both issue from totemism, that is to say the representation
of some kind of forebear. Either painted or sculpted, the image does
not refer to figurative picturing. It is neither that of a man nor that
of a woman.
Alin Avila |